1. 2011 The Fourth Thousand Years 144”x192”x264” books
Books stacked without adhesive in a form that reflects the architecture of the space behind it in the Brigham Young University Museum of Art. Named for the title of one of the books by a religious writer that documents the 1000 years of the earth’s history before Christ.

2. 2011 The Fourth Thousand Years 144”x192”x264” books
Detail

3. 2011 Void 1”x192”x264” painted alphabet soup pasta
Filling the floor of a similar space as the sculpture opposite it.

4. 2011 Void 1”x192”x264” painted alphabet soup pasta
Detail

5. 2012 Kittens 198”x48”x264” Books
Books stacked without adhesive in a form that reflects institutional memory and architecture of Utah Museum of Contemporary Art. Named for the title of one of the books. The sculpture engages with museum architecture and with the idea of sedimentary strata as seen in desert rock formations. Also engages with language/object issues.

6. 2006 30” diameter. Books

7. 2009/2017 Monolith 108”x240”x72” concrete and plywood. Scale model of Glen Canyon Dam.
Dams are fundamental to aesthetically (culturally, economically) shaping the west. They are tourist destinations by themselves and fine examples of Modern architecture.

8. 2009/2017 Monolith 108”x240”x72” concrete and plywood. Scale model of Glen Canyon Dam.
Detail

9. 2009/2017 Monolith 108”x240”x72” concrete and plywood. Scale model of Glen Canyon Dam.
Detail

10. 2010 Natilus 108”x112”X130” wheels from irrigation implements used for large scale agriculture.
I try to engage systematically/formally with pastoral materials. More precisely, these materials are what make the pastoral possible in the western US.

11. 2010 Espinazo 120”x120”x148” irrigation implements used for large scale agriculture.
I try to engage systematically/formally with pastoral materials. More precisely, these materials are what make the pastoral possible in the western US.

12. 2010 Rose 108”x180”X144” wheels from irrigation implements used for large scale agriculture.
I try to engage systematically/formally with pastoral materials. More precisely, these materials are what make the pastoral possible in the western US.

13. Flock

14. 2015, A platform for viewing (Schneider), 108”x228”x112” Rough cut lumber
The work is based on architectural structures common in landscape tourist areas such as national parks. These structures funnel viewers onto viewing walkways and platforms and create a ‘sameness’ of experience in the landscape.

15. 2015, A platform for viewing (Schneider), 108”x228”x112” Rough cut lumber
Detail

16. 2015, A platform for viewing (Schneider), 108”x228”x112” Rough cut lumber
Detail

17. 2015, A platform for viewing (Schneider), 108”x228”x112” Rough cut lumber
Detail

18. 2015, A platform for viewing (BMOCA), 216”x288”x192” Rough cut lumber
The work is based on architectural structures common in landscape tourist areas such as national parks. These structures funnel viewers onto viewing walkways and platforms and create a ‘sameness’ of experience in the landscape.

19. 2015, A platform for viewing (BMOCA), 216”x288”x192” Rough cut lumber
Detail

20. 2015, A platform for viewing (BMOCA), 216”x288”x192” Rough cut lumber
Detail. View into the museum archive through the floor and of a performer working to digitize the archive.

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